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Parents and Music Lessons Violin Lessons for Kids

How to Take the Migraine Out of Music Practice

The kids just hopped in the car on the way back from school and already the complaining begins. “I don’t want to practice music, it’s boring.” Once home, the the arguments pick up steam as notebooks and music are nowhere to be found. Finally the practice begins, through your kids gnashing teeth and still grumbling.

At this point even you are thinking: “I’m growing to hate this, and yes, it is boring. Truly, I’m tired of all the fighting. Maybe music isn’t for us. It’s weird, some families are doing just fine with their lessons”

Music’s Cancerous Warning Sign

When a student complains (or even fails to complain) of real boredom, it catches my ear and raises a red flag. Boredom is real, and it makes no sense to pretend it doesn’t matter. Kids won’t improve when they’re bored. Eventually they’ll quit music altogether, whether we like it or not.

Sometimes boredom is the result of “shutting down” when we feel completing a task is beyond our reach. In this case students tend to practice in a zombie-like endless repetition, without interest or engagement. Obviously, progress in this mode is painfully slow. More often, boredom during practice results from lack of variety or lack of challenge. Young or old, spending your day bored can poison any part of life, music practice included.

Talent Is Not Genetic

Plenty of kids no different than yours love and adore everything about their music experience. They’re zooming through their assignments and performing on stage with ease. They get their practicing done with a minimum of fuss, and wean their parents from the practice process at an early age.

What some parents call “talent” is simply identifying problems clearly and then quickly finding a solution that brings about a small improvement, on the spot.

Flip This Switch and Practice Changes Overnight

It’s simple. Practice only to improve, and to make progress right now! Set up your kids for easy success. Start with small problems, and short sessions, and let them enjoy their accomplishments in the moment. Do this every day and soon the practice habit becomes a pleasure.

Here’s what doesn’t work: shut your kid in a room for 30 minutes with a vague instruction about “learning your song.”

Start at Your Very Next Practice Session

  • Before beginning a practice session make sure you and your kids know the “big picture” goal(s). Normally these goals will be provided by your music teacher, making it important to take good notes during the lesson. Never begin a practice session without a clear picture of the specific results you’re working for.
  • I’ve found that during practice, a constant and clarifying “self-talk” can make all the difference. Ask your young student “are you practicing that spot for tone, rhythm or pitch?” a few dozen times, and he/she will begin to internalize that strategy.
  • Build a “library” of problem solving routines or drills. These drills help you break down large problems into smaller pieces. Every teacher uses these drills, so pay attention during the lesson, and you’ll pick up some great ideas. Eventually, you’ll become adept at inventing your own drills, perfect for the musical problem at hand.
  • Get kids inspired by exposing them to great music and musicians. Enjoy live concerts and videos. Give kids a role model, and a sense that music is more than just practice and lessons.
  • Fill out a practice journal. Celebrate accomplishments in the moment and in writing. Make note where you need help from your teacher.
  • Most of all, make music a daily priority. The rewards come when you decide that practice is on your “short list” of important projects. Go deep with this one project, and reduce the clutter of an over-busy life driving from one activity to another. Ironically, life can become richer by doing less.

A key thing to remember is that as much as the subject matter in my studio is centered around songs and the instrument, what I really want to teach is the ability to improve through practice. It’s a skill that is transferrable to any subject matter or goal in life.


What do you think? Have ideas like this worked for you?

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Practical Violin

Violin String Broke! Now What?

 

“OH NO!  While tuning the violin I snapped a string. Can I fix it? Or does it go back to the violin shop?”

No need to panic. We can fix this!  Click here to replace your snapped violin string.

Here are seven things you can do to prevent breaking strings prematurely and to minimize inconvenience when breaks occur:

1. As a violin parent, learn to tune the violin properly. The easiest way to break a string, especially an E string, is to tune it too high. Don’t ask your 5 year old student to perform this operation!

2. Before installing new strings, lubricate the 2 contact points at the bridge and nut of the violin with a small amount of pencil lead.

3. Be sure that your instrument has quality tuning pegs that operate smoothly. Pegs that slip make you tune the strings more frequently, adding stress and reducing their life.

4. When tuning, gradually raise the pitch of the string to the required note, but not more than a small amount above. On student violins, use the fine tuners to make small adjustments, in lieu of the tuning pegs, which can be more difficult to operate.

5. Use an electronic tuner when learning how to tune. Tuning by ear is risky, if you’re not trained in that approach.

6. Practice often, and tune at least once at the beginning of every practice session. A neglected violin is more likely to lose its tuning by a large amount.

7. Purchase quality strings that are correctly sized for your instrument. Keep a spare set in your case, and perhaps more than one spare on the E string.

Click here to visit my violin string website for complete instructions on how to replace your snapped violin strings.

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Getting Started on Violin Video Exercises and Tips Violin Lessons for Kids

The “Guitarra” exercise

Except from: Master Sequence for young beginner students.

1. Violin “setup” correctly and comfortable on the collar bone. This will be more fully described in the InvicibleViolinist.com Master Sequence.

2. Learn to properly position the left “violin” hand around the neck and fingerboard.

This is probably the source of more “screw ups” than any other element of early violin technique. If  you focus on mastering the left hand early in the game, everything that follows is relatively simple.

I created this exercise because this hand-violin relationship is much easier to learn when broken down in steps. When (and only when) your student can perform this simple movement in good form, do you move to the next step.

This “umbrella” of fingers over the fingerboard and hand astride the neck is simple to perform with the violin in a guitar like position. Note the elevated angle of the scroll.

3. Finally, move the violin with (hand and arm already in perfect position) into playing position. Once in position, our Master Sequence Practice Angel will test for correct posture and freedom of movement.

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Getting Started on Violin Practicing the Violin Suzuki Violin

How much money are you wasting on violin lessons?

It’s a fair question.

When I was a young student, I wasted my share of family funds in the violin studio. I was unprepared. I didn’t fully understand what the teacher was saying. The subject matter was over my head. The teacher couldn’t explain it in a way I could understand. It could be 1000 things. And over the years, it probably *was* 1000 things..

And it’s not all on the student side; teachers are human… they make mistakes too. They miss things that should be fixed. Or they don’t know how to correct problems that the students brings into the studio.

Enter the real world; distracted parent, exhausted student and frustrated teacher. This is not a recipe for making progress on the violin.

It gets me when people worry about the high cost of private lessons, then turn around and barely put any effort into making good use of the invested time and money. It just doesn’t make any kind of sense.

That’s why Invincible Violinists are always fully prepared. They value their time and money. They want to use their teacher’s expertise in the best possible way. Whether in the studio or at home, they’re embracing the best practices.

The most expensive violin lessons you can ever take, are the ones you have to take over. And over, and over.

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Violin for Fun

What is my violin worth?

STRADIVARI portrait by Alton s. Tobey, 1971
The king of all violin makers, Antonio Stradavarius in a portrait by Alton Tobey


Is your violin a Strad?

 

Could that violin you’ve been storing in the closet be a Strad worth millions?

There are literally millions of violins in existence that bear the label Antonius Stradivarius; they’re almost all copies of the classic “Strad” model made famous by the master from Cremona, Italy. Antonio Stradivari handcrafted about 700 instruments during his lifetime. All but 100 are accounted for.

Even though your instrument may not be a real Strad, it still may have considerable value. Strad copies range from junk level factory made instruments to very fine handmade violins worth thousands of dollars. The maker, construction and condition of your instrument all go into determining its value.

The best way to determine the value of a violin is to get an appraisal from a violin shop (luthier.) He or she will be able to determine the authenticity of your instrument, the cost of needed repairs and an approximate market value. A more formal written appraisal might be warranted if you own a fine instrument. You should expect to pay a fee for such an appraisal.

The greatest value your violin might hold is the joy it can bring you when you play it. Fix it up; get some lessons and make some music!

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